Dalla regola alla critica. Il concetto di “gusto” e la funzione della filosofia in David Hume

This work aims to scrutiny the concept of “taste” as developed by David Hume. Firstly, it will be highlighted the impossibility of thinking taste neither as a sub-jectivist nor objectivist aesthetic theory; on the contrary, it will be shown, through Agamben’s work, its underlying radical dialectical structure that seeks to unite subject and object. Furthermore, thanks to Deleuze’s enquiry in Hume’sthought, it will be possible to argue that Hume’s theory of art, rather than being a simple consequence of his theory of mind, plays a fundamental role in the whole Humean system, especially in the accounts on history, civilization, and the role of philosophy